Saturday, May 20, 2006

Damah Film Festival First Night

It was a great first night for the Damah Film Festival. The event is small enough that I felt like someone special which is something I can't say about most festivals I attend. Katherine Makinney greeted me and helped me along the registration process and had personally called the night before answering my question about parking. This is Katherine's first year as Executive Director of the festival, and so far shes done a very nice job with excellent screening facilities and resturaunts and coffee shops within a five minute walk from the venues and the hotel. The Culver Hotel is the center of the festival where registration is, I especially liked the free t-shirt for all attendees. The hotel was built in 1924 and was the hotel where the actors who played the munchkins from the Wizard of OZ stayed. At one point the hotel was owned by John Wayne, and the bar in the hotel is now appropriately named Dukes. I met several filmmakers at the meet and greet and the afterparty including a full time filmmaker from Littleton named Tom who's made several documentaries and is currently working on his first feature. As for the films, the evening programs are the showcase films from the festival and it's clear why, all were polished films that spanned genres from animation to a quirky love story, and to my favorite, a samurai film entitled "A Monks Awakening" where a monk learns to deal with his fear of death. My next favorite was Wentworth, the story about a man who has an imaginary girlfriend and must decide, with the help of his pet pig (I kid you not about the pig), whether to choose the girl OF his dreams and the girl IN his dreams. This was the only film presented in 35mm with all the other shown on DVD. Other notable films were "Emelia", a an animated story about a 5 year old goth girl and the world as seen through her eyes. "Incident at Alma" based on a true story where a preacher has only 10 minutes to save a condemned black man's soul, and "Wood Diary" , an unusual film where wooden statuettes take on new meaning in a man's life. Though the festival is small, the atmosphere is great and the intimate time spent with other filmmakers and actors both accomplished and emerging is very encouraging. I look forward to sharing more with you tomorrow, so until then.....

Friday, May 19, 2006

Damah Film Festival

Damah (dù mah’)[1] noun. 1. a metaphor that transforms. 2. an art form that starts with a commonly accepted way of looking at the world and adds a surprise or unexpected twist that results in a new perspective that inspires and transforms the viewer. 3. the merging of the known, the unknown and the transcendent. 4. similar to the storytelling form known as the parable.

Imagine 79 films 5 parties 8 workshops all on films which challenge the way we look at the world. I found out about The Damah Film Festival from someone at Urban Skye a couple of years ago who thought I would be interested. Since then I've picked up each of the videos from the past festivals and found myself in LA starting my new job this week. As far as locations, the Festival will kick off tonight at The Culver Studios near downtown Culver City. You may have never heard of the studios before, but it is the home of Citizen Kane, King Kong (the original), Rebecca (Alfred Hitchcock's first American film), and a little film called Gone With The Wind. If you aren't impressed with historical films, Armageddon, Contact, Stuart Little, Crazy in Alabama, and The Rock were also made at the site. If you still aren't impressed, Sony Pictures Entertainment is across the street with their studios and back lot stretching down the street with huge 30 foot tall posters for their big new movie "The Da Vinci Code" screaming down at you. Trust me, this is an impressive place for those of us who are into film.

The festival centers around 10 "Reels" each with it's own lineup of some of the 79 films in the festival. Each reel will be presented twice during the 2 days of the festival and the 8 workshops are scheduled to occur simultaneously in different areas. I hope to see at least 6 of the reels and participate in 4 of the workshops. With the Cannes festival also going on this weekend I doubt I'll see any real major studio executives, but you never know who's decided to stay closer to home. Tonight starts with Reel 9 at 7:00 and it's slate of 9 "Best of Fest" films. I'll let you know what I think once I get back to my hotel after the opening night party. Until later tonight.....

SAP Score

OK, now that I've confused you with my scoring system, I'd better go ahead and explain myself. SAP is simply an accronym for the 3 critical components of any film. Story, Acting, and Production. I rate these 3 components on a 1 to 10 point scale with 10 being the highest score possible. The enjoyment factor is a measure of the guilty pleasure I derived from the film regardless of it's merits as a good film and is rated "-" (minus) indicating that I didn't enjoy myself, "0" indicating that the film was OK, "+" indicating that I enjoyed myself, and "++" indicating that I REALLY enjoyed myself. The overall score is a nod to the fact that I am pretty much an outlier when it comes to rating movies this way, and this gives you a way to compare my rating to any other reviewer, like Lisa Kennedy and Michael Booth at the Denver Post, who use the time honored star method. You know, 0 to 5 stars with lots of half stars thrown in. It's easy to read, but doesn't really tell you anything. I'll get into why a film gets higher ratings in the 3 categories in a future posting, but for now, just be assured that I want you to get a better appreciation of what makes a good film good, and what makes a bad one bad without necessarily having to read a full account of the film. But enough of mainstream film review, I need to move on to Damah!

Wednesday, May 17, 2006

United 93

Do you remember where you were on September 11th, 2001? I do. It was Tuesday, the day after the Denver Broncos beat the New York Giants at Invesco Field at mile high, where Ed McCaffrey broke his leg and would be out for the rest of the season. That should have been the news in Denver on the 11th. My in laws were visiting and I was staying home from work and sleeping in when my wife came into the bedroom and said that a plane had hit the World Trade Center in New York. I came downstairs just in time to see the second plane hit. I remember clearly the feeling that the world as I knew it had changed. It's been almost 5 years since then and I remember that day clearly. In the film United 93, a film based on what was known about the hijackers and what the filmmakers supposed happened on that fateful United flight, takes us back to that day and trys to fill in some of the blanks that have haunted me, and I suppose many others, about what actually happened that day. Such questions as How come the FAA didn't know which flights were hijacked? Where was the military and why didn't they stop the other planes' attacks? How was this able to happen? United 93 attempts to fill in those blanks and does so with some of the very people who were there. The film not only doesn't use recognizable actors, they used the very person who was in charge of the skys that day at the FAA, the man who had to make the call to clear the skys of all planes. They also used the very people in the military who had to try to find the hijacked planes and determine if the rules of engagement would allow them to shoot down a civilian airliner over US airspace. From that stand point the film is a real depiction of the actual events. Onboard flight 93, the filmmakers didn't have anyone to tell them what happened other than the families of those who talked to their loved ones aboard the flight prior to it's nosedive into a Pennsylvania field. The film makes extensive use of handheld camera work adding to the surrealistic feeling that you are aboard the plane. Given that we know what happens, you would think that tension leading up to the end of the film would be reduced, you would be wrong. I was sitting on the edge of my seat throughout, and when it was all over I felt exactly the same as I did nearly 5 years ago. If you are still deeply troubled by what happened on 9/11, then don't see this film. If however, you are searching for perspective on the events of that day, then by all means see the film. I would think this film would hold some powerful abilities to help us heal, if, by seeing it, we could talk about it and the way we feel as a community about the events of that day. I saw this film by myself and wish I had some of you to bounce what I was feeling off of. I can't wait for this film to come out on DVD so that I can continue my own healing process, and I encourage those of you who are ready to experience it to join me. I'll keep you posted about events at "The Steele Street Screening Room".

United 93

SAP score: 7,6,6
Enjoyment Factor 0
Overall: ***

I'll explain the SAP score in my next column. Be aware, I am in Los Angeles this week and have been since the first of May. I will be attending the Damah Film Festival this coming weekend where I will see films and attending workshops on Film and Spirituality. I hope to post each evening while I am there. Until next time...